"Saw Red" was included on Second Hand Smoke, Greatest Hits as well as the 20th Century Masters: The Millennium Collection: The Best of Sublime compilation. Album Packaging: Jewel Case Status: Official Language: English Script: Latin Data Quality: Normal Labels. The original Skunk Records release also contains a cover of Mudhoney's "The Farther I Go," which was removed from the Gasoline Alley/MCA re-release for legal reasons. Sublime Saw Red Bass Cover Album:Robbin The Hood (1994) Gear: Vintage Modified Jazz Bass '70s Ampeg BA-210 V2. Bug Tracker | to Freedom, Robbin’ the Hood, and Sublime, before Bradley Nowell’s overdose and death from heroin. They preach real-life problems and solutions, and Bradley’s Nowell’s lyrics were far ahead of his time," a nod mostly to Nowell's prediction that one day his substance abuse problems would prove fatal ("one day I’m gonna lose the war...”). Robbin’ The Hood is the second album from now defunct reggae/punk SoCal band Sublime. No singles were released from Robbin' the Hood, although the songs "Pool Shark," "STP," "Saw Red," "Boss D.J.," and "Greatest-Hits" became some of Sublime's best-known songs. Wiki | Release Date: March 1st, 1994. Robbin' the Hood is the second album by the Southern California ska punk band Sublime, which was released in 1994. Donate | "Falling Idols" is a cover version of the band Falling Idols' theme song. During the late 1980's and early1990's, Sublime took the Long Beach , and after singer Brad Nowell's death the national, music community by storm with a mix of punk, ska, reggae and hip-hop. These images provided by the Cover Art Archive. You can also see them at the Internet Archive. The Free Loop Dub borrows melody from the song "Loaded" by Scottish alternative rock band Primal Scream. The article praises the album's ability to mix its eclectic influences, all the while, "there isn’t one noticeable mistake anywhere on the album". Sublime does this well and ends their debut on a good note with the amazing cover of 'Rivers of Babylon' (the track after RoB is a recording of Brad thanking everybody he felt helped produce the album). Pieced together rather quickly, Robbin' the Hood wasn't really intended to be the follow-up to Sublime's debut, 40oz. Greatest Hits by Sublime from the Robbin' the Hood album Gear: Vintage V6 Icon WW , Boss DS2 All rights belong to their respective owners . The album also features 'Raleigh Soliloquies,' selections from a rant recorded by a man with schizophrenia named Raleigh Theodore Sakers. is partially a cover of a song by British reggae band Aswad, "Roots Rocking". Sublime (2) Featuring Raliegh Theodore Sakers - Robbin' The Hood ‎ (2xLP, Album, RE, RM) Skunk Records (2) , Gasoline Alley Records , Geffen Records , UMe B0024674-01 Discover all of this album's music connections, watch videos, listen to music, discuss and download. to Freedom and legacy in 2018, made a brief acerbic mention of Robbin' the Hood, offering that Robbin' the Hood, "was so haphazard and caustic that only the most devoted fan could tolerate any significant time with it (it was recorded in a crack house, and it sounded like it).[6]. Sublime had only three full studio albums, 40oz. In response to fans’ accusations that Sublime was selling-out, Robbin’ the Hood’s cover proudly exclaims that it includes “13 self-produced 4-track home recordings.” Though this technique would severely compromise the quality of the album, it was a necessary precaution for the band to prove they were not in this for the money. It’s pretty much safe to say that everyone who held Robbin’ the Hood in their hands for the first time immediately thought it was strange. Robbin' the Hood is the second album by the Southern California ska punk band Sublime, which was released in 1994. According to The Other Wiki Sublime eventually went 5x Platinum in the U.S. For the song "The Cisco Kid" by War, see, Sublime Acoustic: Bradley Nowell & Friends, 20th Century Masters: The Millennium Collection: The Best of Sublime, http://sublimestp.com/?page=pages/robbinwis, https://pitchfork.com/reviews/albums/sublime-40oz-to-freedom/, https://www.sputnikmusic.com/review/15445/Sublime-Robbin-the-Hood/, http://daily.redbullmusicacademy.com/2017/07/the-weird-one-sublime-robbin-the-hood, 20th Century Masters – The Millennium Collection: The Best of Sublime, https://en.wikipedia.org/w/index.php?title=Robbin%27_the_Hood&oldid=978696702, Short description is different from Wikidata, Album articles lacking alt text for covers, Articles with unsourced statements from March 2012, Creative Commons Attribution-ShareAlike License, "Saw Red" - 1:57 (Featuring guest vocals from, "I Don't Care Too Much for Reggae Dub" – 5:20, "Freeway Time in L.A. County Jail" – 3:17, "Raleigh Soliloquy Pt. Robbin' the Hood is notable for having low production values (the album sleeve boasts of its "13 self produced 4-track home recordings"), as well as including multiple samples and lyrics from other artists. Robbin' the Hood is a Sublime album with noted low production values (the album sleeve boasts of its "13 self produced 4-track home recordings"), and also has multiple samples and lyrics from other artists featured in some tracks. It is noted for its experimental nature and numerous samples and interpolations of other artists. Submit data corrections for Robbin' the Hood - Sublime on AllMusic tom79 April 16th 2006. Celebrating 25 years of Sublime’s ‘Robbin’ The Hood’ Album Feb 8 2019. ... Robbin’ The Hood Sublime. Notable songs. MCA signed the band and distributed their second independent album, Robbin' the Hood, in 1994. "[8] The article calls the album a "coherently incoherent" "mess", praising the earnestness and charm of the album as a "great mixtape", devoid of "self-consciousness". 2 in that it has the experimental/lo-fi feel to it. On Feb 8th, 1994, Sublime released their second album, Robbin’ The Hood.To celebrate, customize your own Robbin’ The Hood album cover HERE! No cover art available. Their third and final album, Sublime, has since been listed as one of the most well-regarded albums of the 1990s by Spin and Rolling Stone. Be the first to write a review. ... Cover Art provided by the Cover Art Archive. Some of the songs on the album contain parts that were later reused by the band on other albums. Only the 2016 vinyl release has an album cover. Sublime producer, Miguel Happoldt, decided to tap into this new science with the cover of Robbin the Hood. Cover Art provided by the Cover Art Archive. "[citation needed], Gwen Stefani, of No Doubt, contributes guest vocals on the track "Saw Red", notably before either Sublime or No Doubt enjoyed mainstream success. Watch. No one has reviewed this release group yet. '". The uptempo version later appeared on Sublime's Greatest Hits album, while an acoustic version is featured on 1998's Sublime Acoustic: Bradley Nowell & Friends. It's a great album, but it's all about his heroin abuse: "Now I've got the needle/I can shake but I can't breathe/Take it away and I want more, more/One day I'm gonna lose the war. We do not currently have any cover art for Robbin’ the Hood. The article conjectures that odd inclusion of the Soliloquies was for the sake of conveying the ethos of the band, "they really explain what Sublime was all about...fun."[7]. Many of Sublime's melodies and riffs have not only been influenced by, but directly taken from, other reggae artists and bands. Sublime – Robbin’ The Hood. Robbin' The Hood. Robbin' the Hood is the second album by the Southern California ska punk band Sublime, which was released in 1994. Get the best deals on Mint (M) Grading Sublime Vinyl Records when you shop the largest online selection at eBay.com. For example, the principle chord progression in the instrumental "Lincoln Highway Dub" was featured again in the band's later hit "Santeria", and elements of "Work That We Do" would later appear in "Under My Voodoo". Sublime. For starters, it’s the only original Sublime release that doesn’t feature Opie Ortiz’s artwork on the cover. Use beta site. "Steppin' Razor", originally written by Joe Higgs, was covered by The Wailers and later popularized by Peter Tosh in his solo career. Robbin' the Hood is notable for having low production values (the album sleeve boasts of its "13 self produced 4-track home recordings"), as well as including multiple samples and lyrics from other artists. Sputnikmusic gives a more generous review with 4.5/5 stars, reviewing in 2008 and noting the prescience of front man Bradley Nowell's lyrics, "the messages within Robbin’ the Hood leave timeless impressions. This album plays a lot like "Robbin the Hood" Pt. or Best Offer. to Freedom, but what is shocking is how much better the record is than its predecessor.Boasting a wider range of influences -- including elements of reggae and old-school hip-hop -- the record is a loose, infectious blend of styles that rides along on its own sense of energy. Log in to upload cover art. Robbin' The Hood is the second album by the Southern California ska-punk band Sublime, which was released in 1994. During the early 90’s, taking still shots from video was considered a new technology. Boss D.J. It is noted for its experimental nature, low production values, and numerous samples and interpolations of other artists. "Cisco Kid (song)" redirects here. The original Skunk Records release also contains a cover of Mudhoney's "The Farther I Go," which was removed from the Gasoline Alley/MCA re-release for legal reasons. The album also features 'Raleigh Soliloquies,' selections from a rant recorded by a man with schizophrenia named Raleigh Theodore Sakers. Iconic Long Beach, CA reggae-punk/alternative-rock band Sublime was founded in 1988 by Bradley Nowell (vocals/guitar), Eric Wilson (bass/vocals) and Bud Gaugh (drums). ... Great album, second only to Robbin the Hood. $55.00. Record Label: Skunk Records. Gwen Stefani, of No Doubt, contributes guest vocals on the track 'Saw Red.' Free shipping on many items | Browse your favorite brands | affordable prices. $3.33 shipping. Robbin’ the Hood is a strange and confounding mess that reflects its origins: The wife of founder Bradley Nowell claims it was recorded in a crack house at the height of Nowell’s heroin addiction. 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